By Sande Cohen
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Additional info for Academia and the Luster of Capital
9 daily since its forms are more and more capitalized. 28 On this analysis, modern production, considered as a gigantic mesh of constraints, was always in itself an enormous act of decipherment, for which "there is properly neither finality . . nor value," where everyone "can think of himself only as something to produce . . this remarkable phantasm . . "29 Critical discourses smooth the deformations of modernizing production (= displacement of seduction, the latter what allows life to have charm and is irreducible to exchange "relations" and which gets exterminated, one way or another).
29 Critical discourses smooth the deformations of modernizing production (= displacement of seduction, the latter what allows life to have charm and is irreducible to exchange "relations" and which gets exterminated, one way or another). Multiple and institutionally driven submission to a "destructive hyperconformity" is glimpsed where cultural production becomes a pure form, not requiring any end outside itself, alternately realized in such disparate cultural phenomena as Warholian repetition, or incessant "repositioning" around cultlike terms such as "modern" and "postmodern," which a fascinated public no doubt interprets as "intellectual energy" instead of the intellectual "duopoly" it is ("couples of simultaneous opposition," as Baudrillard calls it, or the "mirror stage" of culture as a whole), or crises of the "canon," in-house disputes over representation, where sign-value predominates (the "canon" debate never changes).
Chapters 3 to 5 address this topic in some detail. Because no one knows what "history looks like" (though there are countless possible signs), or what "academia" should do, an ahistorical and independent criticism from both political and academic sources might operate in some ways that were usefully offensive instead of contestatory over the same old ground: there would be no question of promoting contestants "in the name of" 14 What Is Criticism For? "45 I am reading a journal entitled Zone, offered as an alternative to "normal" academia.
Academia and the Luster of Capital by Sande Cohen